Jack Bochow Music

Jack is a classically trained composer and performer based in London. He works across screen, contemporary concert music, theatre and live performance.

His most recent screen credits include debut feature film The Two Hornets, directed by award-winning Slovak filmmaker Dominik György, alongside Australian short Crown Shyness by award-winning directors Dan & Sean Fox. Both projects are scheduled for theatrical release in early 2027. He has also composed for György’s other films and trailers, including Dalsia, The Touching and House in the Middle, and for Dan & Sean Fox's award-winning short God in the Sky. These projects have developed into ongoing creative relationships with these filmmakers, in both Slovakia and Australia
For theatre, Jack composed and co-performed the score for St Kilda Tales: A Performance Rave, a multidisciplinary production co-produced by Brisbane Music Festival and Victorian Theatre Company in 2025, receiving rave reviews and selling out most shows for it’s 2 week run. The work was commissioned by Brisbane Music Festival through Artistic Director Alex Raineri, with whom Jack also co-performed the work. It was then arranged and independently released by Jack as Organ Rave (Music From St Kilda Tales), psychedelic and funky, and quoted as “one of the strangest, but most fun things I’ve ever had the pleasure of writing music for”.

His more personal contemporary composition practice includes the chamber collection The Tall Trees, inspired by the wilds of Bulgaria’s mountainous forest landscapes, and solo piano release Waltzes From The Shore, inspired by coastal England. He also collaborates and performs with London Indie band Pseudopomp, recently recording drums for their latest single 'Pickles'.

Jack was shortlisted for the APRA AMCOS Professional Development Award in Screen Composition in 2023 and also won Best Emerging Composer at the 2023 Apuglia Soundtrack Awards in Italy.

His musical language is informed primarily by post-minimalism and contemporary classical music, with elements of modernism, jazz and ambient music. He maintains a consistent focus on emotional clarity and conceptual intent, aiming to create music that can move between image, performance and concert space while retaining its clarity and meaning.